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André, a brilliant idiot, is dying because he didn’t get a colonoscopy. His sobering diagnosis, complete irreverence, and insatiable curiosity, send him on an unexpected journey learning how to die happily and ridiculously without losing his sense of humor.

Jessi moves to Folkestone's white cliffs, a Brexit-voting small town, where refugees cross from France daily, and tensions rise between 'woke' progressives and a more conservative set nostalgic for Empire and English influence.

The town, built for defence, ripples with ghosts of soldiers and now, fleeing asylum seekers, evoking shame and fear in residents. Psychological borders deepen, hindering a multicultural future. But Jessi's film is turned on its head as she meets 6 characters embodying hope for a community of messy inclusivity and English identity, traversing racial, political, and class borders, urging liberal audiences and societies to introspect.

Through moments of emotion, humour, and the everyday, the film delves into their lives, echoed by locals’ thoughts and dreams as the Coronation comes, wars begin, and Governments change, tracing British identity amidst social and political chaos.

“Capturing a diverse, genuine cross-section of English life, Gutch's self-reflection challenges media stereotypes and her own biases.”

Gazettely

The screening will be followed by a panel discussion.

Intimate and fragmented moments unfold in a community of zoos and animal rescue centres across Argentina. As histories of these institutions are uncovered, dedicated workers commit both day and night to caring for the remaining enclosed animals, fostering a mutual bond that transcends imagined boundaries between human and animal.

The screening will be followed by director Q&A.

Jessica Sarah Rinland is an Argentine-British filmmaker whose work frequently examines the intersections between science, natural history, museology, and conservation, paying close attention to the labour practices, archival structures, and material cultures within institutions such as museums, archives, archaeological digs, and zoological parks. Alongside her work in non-fiction, she also served as a cinematographer in Lois Patiño's stunning Samsara (2023).

Frida Kahlo is a phenomenon. She is arguably the world’s favourite female artist – beloved by young and old.

Exhibition on Screen’s award-winning film – first released during covid to a restricted audience – is back by popular demand with an exciting new addition from the blockbuster transatlantic exhibition from Tate Britain and MFA Houston ‘Frida Kahlo: the Making of an Icon’.

Back in the cinemas in May 2026, one month before the Tate exhibition opens, allowing audiences to watch both the film and see the show.

Who was Frida Kahlo? Everyone knows her face but who was the woman behind the bright colours, the big brows and the floral crowns?

Take a journey through the life of a true icon, discover her art, and uncover the true story of her rebellious, passionate and turbulent life.

Making use of the latest technology to deliver previously unimaginable quality, we take an in- depth look at key works throughout her career.

Using letters Kahlo wrote to guide us, this definitive film reveals her deepest emotions and unlocks the secrets and symbolism contained within her art.

Exhibition on Screen’s trademark combination of interviews with those who knew her and world experts, commentary and a detailed exploration of her art, combined with new special bonus footage from the 2026 Tate exhibition, delivers a treasure trove of colour and emotion. This personal and intimate film offers privileged access to her works, her home, her studio and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, beauty and revolution.

Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals.

Born within a year of each other, both used landscape painting to reflect the changing world around them.

Tate Britain is bringing these two greats together for a groundbreaking exhibition, in London from November 2025 to April 2026, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen in March 2026 so that both can be enjoyed together.

Don’t miss this opportunity to see these greats side-by-side, as they so often were in life, on the big screen for the first time.

Turner’s blazing sunsets and sublime scenes from his travels and Constable’s idealised depictions of beloved places from home whipped the public of the time into a frenzy of enthusiasm.

Critics compared their starkly different styles to a clash of ‘fire and water’.

Marking 250 years since their births, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition.

Discover unexpected sides to both artists with intimate views of sketchbooks and personal items and insights from leading experts. This is not to be missed.

When Helen's beloved father passes away, she is knocked sideways by grief and loses herself in memories of their time birding and exploring the natural world together. She becomes obsessed with the idea of training her own goshawk, and so she brings the fearsome bird Mabel home to her life as a graduate fellow at Cambridge.

From Academy Award® winning writer/director Chloé Zhao, HAMNET tells the powerful story of love and loss that inspired the creation of Shakespeare’s timeless masterpiece, Hamlet

Ex TV personality, Chris Masterman, becomes stranded in an Outback town outside Alice Springs. There, he teams up with 12-year-old Indigenous girl Charlie. The pair form an unlikely friendship and work together to rescue and rehabilitate orphaned joeys in the remote but stunning Outback community—an endeavour that proves to be life-changing for them both.

Join us for the Kendal Mountain Cinematic Tour 2026! This exclusive film-only event brings you a handpicked selection of Kendal Mountain Festival’s award-winning adventure films, showcasing daring feats, breathtaking locations, and powerful stories of human resilience. Experience the thrill and excitement from the comfort of your seat; whether you're a seasoned adventurer, or simply someone who loves a great story, this is your chance to escape into the world’s most stunning landscapes and be inspired by the extraordinary journeys of those who dare to explore them.

Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.

This is a nationwide premiere screening in partnership with Glasgow Film Festival and features a pre-recorded discussion featuring Marc Silver (director), Ian Russell (Molly's Father), Charlotte Campbell (Molly's friend), hosted by Carole Cadwalladr.

At just 14 years old, Molly Russell came home from school, finished her homework and said goodnight to her family. A few hours later, she took her own life.

Surrounded by a loving circle of family and friends, it was a life-shattering mystery to all who knew her. In search of an answer Ian, her devastated father, pieces the final months of her life back together only to discover that, when Molly looked at her phone, social media machines dragged her into darkness.

Co-written by Harvard professor and best-selling author Shoshana Zuboff, the film follows the trail of two narratives and their devastating convergence. Molly’s friends, family and associated professionals trace in detail what happened to Molly, while the economic logic behind Big Tech helped fuel an algorithmic spiral resulting in tragic consequences.

From a teenager’s suburban bedroom to the boardrooms of Silicon Valley, Molly Vs THE MACHINES is the story of a heartbroken father’s quest to uncover the truth behind his daughter's death, and his fightback against how the most powerful corporations of the modern age operate.

Now, as Big Tech's global domination escalates with AI, Molly's story reminds us that the real power is still in our hands.

BAFTA Award-winner Lesley Manville (Phantom Thread) joins Aidan Turner (Rivals) in a striking new staging of Christopher Hampton’s celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin.

Marquise de Merteuil is a master in the art of survival. Alongside the magnetic Vicomte de Valmont, they turn seduction into strategy and weaponise desire. But when their alliance collapses into rivalry, the battle between them threatens to destroy everyone in their path.

Filmed live on stage at the National Theatre, Marianne Elliott (Angels in America) directs this thrilling game of love, lies, and social warfare.

Returning to cinemas for the first time in over a decade, Helen Mirren plays Queen Elizabeth II in the Olivier and Tony Award® -winning hit production, directed by Stephen Daldry.

For 60 years, Queen Elizabeth II met with each of her 12 prime ministers in a private weekly meeting. This meeting is known as The Audience. From Winston Churchill to Margaret Thatcher and David Cameron, the Queen advised her prime ministers on matters both public and personal. Through these private audiences, we see glimpses of the woman behind the crown and witness the moments that shaped a monarch.

Peter Morgan’s Netflix phenomenon The Crown was based on this hit play that was captured live from London’s West End in 2013 and went on to become one of the most-watched NT Live productions.

Nicola Coughlan (Bridgerton) joins Éanna Hardwicke (The Sixth Commandment) and Siobhán McSweeney (Derry Girls) in John Millington Synge’s riveting play of youth and self-discovery.

Pegeen Flaherty’s life is turned upside down when a young man walks into her pub claiming that he’s killed his father.

Instead of being shunned, the killer becomes a local hero and begins to win hearts, that is until a second man unexpectedly arrives on the scene…

Filmed live on stage at the National Theatre, Caitríona McLaughlin directs this darkly funny tale full to

the brim with secrets.

A man gets laid off from the paper company he worked at for 25 years. Some time later and still jobless, he hits on a solution: to genuinely eliminate his competition.

Shakespeare’s OTHELLO rages to life like never before in a  ‘compelling’ (★★★★ Telegraph) newproduction starring David Harewood OBE (Homeland, Best of Enemies), Toby Jones OBE (Mr Bates vs the Post Office, Detectorists), Caitlin FitzGerald (Succession, Masters of Sex), Vinette Robinson (Boiling Point) and Luke Treadaway (A Street Cat Named Bob).Directed by Tony Award-winner Tom Morris OBE (War Horse, Dr Semmelweis, The Grinning Man) withmusic by PJ Harvey, this epic story of manipulation, jealousy and toxic masculinity explores the darker side of power, rage and desire. Filmed live at the Theatre Royal Haymarket in London especially for thebig screen, this is ‘an electrifying star-studded Othello.’ (★★★★ Mail on Sunday)

Paul forms new band Wings after Beatles breakup. Archival home footage shows Paul's life with Linda, who influenced his music. Film follows Wings from formation through 1970s during which Paul wrote hit songs.

Birmingham, 1940: Amidst the chaos of WWII, Tommy Shelby is driven back from a self-imposed exile to face his most destructive reckoning yet. With the future of the family and the country at stake, Tommy must face his own demons, and choose whether to confront his legacy, or burn it to the ground.

The Big Easy. The Crescent City. NOLA. Nawlins. Whichever way you have it, there’s nowhere quite like New Orleans. It’s a city of incomparably rich cultural history, fuelled by a musical scene that lives in the streets as much as it does in the bars lining Frenchman Street.

As such, it makes for a singular cinematic backdrop, instilling a character of its own that’s impossible to recreate on studio backlots. We took a look back across some 70 years of depictions of New Orleans on film, picking out some of the best.

Wyatt (Peter Fonda) and Billy (Dennis Hopper), two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth. On their journey, they experience bigotry and hatred from the inhabitants of small-town America and also meet with other travellers seeking alternative lifestyles. After a terrifying drug experience in New Orleans, the two travellers wonder if they will ever find a way to live peacefully in America.

The Big Easy. The Crescent City. NOLA. Nawlins. Whichever way you have it, there’s nowhere quite like New Orleans. It’s a city of incomparably rich cultural history, fuelled by a musical scene that lives in the streets as much as it does in the bars lining Frenchman Street.

As such, it makes for a singular cinematic backdrop, instilling a character of its own that’s impossible to recreate on studio backlots. We took a look back across some 70 years of depictions of New Orleans on film, picking out some of the best.

In Interview With A Vampire (partially shot at Phoenix) born as an 18th-century lord, Louis is now a bicentennial vampire, telling his story to an eager biographer. Suicidal after the death of his family, he meets Lestat, a vampire who persuades him to choose immortality over death and become his companion. Eventually, gentle Louis resolves to leave his violent maker, but Lestat guilts him into staying by turning a young girl -- whose addition to the "family" breeds even more conflict.

During their travel from Chicago to New York, Harry and Sally debate whether or not sex ruins a friendship between a man and a woman. Eleven years later, and they're still no closer to finding the answer.

On the eve of the 2002 FIFA World Cup, Irish captain Roy Keane forfeits his place in the squad at the team's preparation base in Saipan, following a heated disagreement with manager Mick McCarthy.

Based on a true story, two down-on-their-luck musicians (Hugh Jackman and Kate Hudson) form a joyous Neil Diamond tribute band, proving it's never too late to find love and follow your dreams.

In 1917, two young music students attending the Boston Conservatory bond over a mutual love of folk music. They reconnect a few years later, embarking on a song-collecting trip in the backwaters of Maine.

On May 30, the Metropolitan Opera’s 2025–26 Live in HD season comes to a close with a live transmission of American composer Gabriela Lena Frank’s first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker.

Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late. The Met’s evocative production, directed by Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of … Tchaikovsky’s lyrical romance” (The Telegraph).

After years of anticipation, a truly unmissable event arrives in cinemas worldwide on March 21 as the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon—hailed by The New York Times as “the most visionary opera director of his generation” and the first American to direct an opera at the famed Wagner festival in Bayreuth—as well as Music Director Yannick Nézet-Séguin’s first time leading Tristan und Isolde at the Met.

Mezzosoprano Ekaterina Gubanova reprises her portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny, who sings Kurwenal after celebrated Met appearances in Wagner’s Der Fliegende Holländer and Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke.

The peasant girl Giselle has fallen in love with Albrecht.

When she discovers that he is actually a nobleman promised to another, she kills herself in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent on killing any man who crosses their path in a dance to the death.

Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost.

Peter Wright’s 1985 production of this quintessential Romantic ballet is a classic of The Royal Ballet repertory.

Set to Adolphe Adam’s evocative score and with atmospheric designs by John Macfarlane, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption.

Raised by a scheming dwarf and unaware of his true family origins, a young man embarks on an epic journey.

Soon, destiny brings him face-to-face with a shattered sword, a fearsome dragon and the cursed ring it guards, and a Valkyrie forced into enchanted slumber...

Moments of transcendent beauty and heroic triumph sparkle in the third chapter of Wagner’s Ring cycle, brought to life under Barrie Kosky’s inspired eye following his spectacular Das Rheingold (2023) and Die Walküre (2025).

Andreas Schager, in his much-anticipated debut with The Royal Opera, stars as Siegfried’s titular hero, alongside Christopher Maltman’s towering Wanderer, Peter Hoare’s treacherous Mime and Elisabet Strid’s radiant Brünnhilde. Antonio Pappano conducts, drawing out the unspoken tensions and ethereal mysticism of Wagner’s dynamic score.

Princess Pamina has been captured. Her mother, the Queen of the Night, tasks the young Prince Tamino with her daughter’s rescue. But when Tamino and his friendly sidekick, Papageno, embark on their adventure, they soon learn that when it comes to the quest for love, nothing is as it really seems.

Guided by a magic flute, they encounter monsters, villains, and a mysterious brotherhood of men – but help, it turns out, comes when you least expect it.

Mozart’s fantastical opera glitters in David McVicar’s enchanting production. A star cast including Julia Bullock as Pamina, Amitai Pati as Tamino, Huw Montague Rendall as Papageno, Kathryn Lewek as the Queen of the Night, and Soloman Howard as Sarastro, led by French conductor Marie Jacquot in her Covent Garden debut.

THE SECRET AGENT is a mischievous political thriller from Kleber Mendonça Filho, starring Wagner Moura and set against the charged atmosphere of 1970s Brazil.

A bold and original imagining of one of the greatest love stories of all time, Emerald Fennell’s “WUTHERING HEIGHTS” stars Margot Robbie as Cathy and Jacob Elordi as Heathcliff, whose forbidden passion for one another turns from romantic to intoxicating in an epic tale of lust, love and madness.

After cracking the biggest case in Zootopia's history, rookie cops Judy Hopps and Nick Wilde find themselves on the twisting trail of a great mystery when Gary De'Snake arrives and turns the animal metropolis upside down. To crack the case, Judy and Nick must go undercover to unexpected new parts of town, where their growing partnership is tested like never before.